Original author(s) | Miller Puckette |
---|---|
Stable release | 0.50-2[1] / October 6, 2019; 12 months ago[1] |
Repository | |
Type | Visual programming language |
License | Modified BSD |
Website | puredata.info |
Paradigm | Dataflow |
---|---|
Designed by | Miller S. Puckette |
First appeared | 1996 |
Stable release | 0.50-2 / October 6, 2019; 12 months ago |
OS | Cross-platform |
License | Modified BSD |
Website | puredata.info |
Influenced by | |
Patcher |
Pure Data (Pd) is a visual programming language developed by Miller Puckette in the 1990s for creating interactivecomputer music and multimedia works. While Puckette is the main author of the program, Pd is an open-source project with a large developer base working on new extensions. It is released under a license similar to the BSD license. It runs on GNU/Linux, Mac OS X, iOS, Android and Windows. Ports exist for FreeBSD and IRIX.
Download Pure Data 0.45.4 for Mac from our website for free. The Pure Data installer is commonly called pd-0.45-4-64bit.mac.tar.gz or pd-0.45-4.mac.tar.gz etc. The program lies within Developer Tools, more precisely DB Tools. This free Mac application is a product of Puredata. The 0.38 version of Pd- for Mac is available as a free download on our website. This application's bundle is identified as org.puredata. This free software for Mac OS X was originally developed by Hans-Christoph Steiner, Frank Barknecht, Guenter Geiger. The following version: 0.4 is the most frequently downloaded one by the program users.
Pd is very similar in scope and design to Puckette's original Max program, developed while he was at IRCAM, and is to some degree interoperable with Max/MSP, the commercial predecessor to the Max language. They may be collectively discussed as members of the Patcher[2] family of languages.
With the addition of the Graphics Environment for Multimedia (GEM) external, and externals designed to work with it (like Pure Data Packet / PiDiP for Linux, Mac OS X), framestein for Windows, GridFlow (as n-dimensional matrix processing, for Linux, Mac OS X, Windows), it is possible to create and manipulate video, OpenGL graphics, images, etc., in realtime with extensive possibilities for interactivity with audio, external sensors, etc.
Pd is natively designed to enable live collaboration across networks or the Internet, allowing musicians connected via LAN or even in disparate parts of the globe to create music together in real time. Pd uses FUDI as a networking protocol.
Similarities to Max[edit]
Pure Data and Max are both examples of dataflow programming languages. In such languages, functions or 'objects' are linked or 'patched' together in a graphical environment which models the flow of the control and audio. Unlike the original version of Max, however, Pd was always designed to do control-rate and audio processing on the host central processing unit (CPU), rather than offloading the sound synthesis and signal processing to a digital signal processor (DSP) board (such as the ArielISPW which was used for Max/FTS). Pd code forms the basis of David Zicarelli's MSP extensions to the Max language to do software audio processing.[3]
Like Max, Pd has a modular code base of externals or objects which are used as building blocks for programs written in the software. This makes the program arbitrarily extensible through a public API, and encourages developers to add their own control and audio routines in the C programming language, or with the help of other externals, in Python, Scheme, Lua, Tcl, and many others. However, Pd is also a programming language. Modular, reusable units of code written natively in Pd, called 'patches' or 'abstractions', are used as standalone programs and freely shared among the Pd user community, and no other programming skill is required to use Pd effectively.
Language features[edit]
Pure Data objects. The text strings to the right of the boxes are comments.
Like Max, Pd is a dataflow programming language. As with most DSPsoftware, there are two primary rates at which data is passed: sample (audio) rate, usually at 44,100 samples per second, and control rate, at 1 block per 64 samples. Control messages and audio signals generally flow from the top of the screen to the bottom between 'objects' connected via inlets and outlets.
Pd supports four basic types of text entities: messages, objects, atoms, and comments. Atoms are the most basic unit of data in Pd, and they consist of either a float, a symbol, or a pointer to a data structure (in Pd, all numbers are stored as 32-bit floats). Messages are composed of one or more atoms and provide instructions to objects. A special type of message with null content called a bang is used to initiate events and push data into flow, much like pushing a button.
Pd's native objects range from the basic mathematical, logical, and bitwise operators found in every programming language to general and specialized audio-rate DSP functions (designated by a tilde (~) symbol), such as wavetable oscillators, the Fast Fourier transform (fft~), and a range of standard filters. Data can be loaded from file, read in from an audio board, MIDI, via Open Sound Control (OSC) through a FireWire, USB, or network connection, or generated on the fly, and stored in tables, which can then be read back and used as audio signals or control data.
Data structures[edit]
One of the key innovations in Pd over its predecessors has been the introduction of graphical data structures. These can be used in a large variety of ways, from composing musical scores, sequencing events, to creating visuals to accompany Pd patches or even extending Pd's GUI.
Living up to Pd's name, data structures enable Pd users to create arbitrarily complex static as well as dynamic or animated graphical representations of musical data. Much like C structs, Pd's structs are composed of any combination of floats, symbols, and array data that can be used as parameters to describe the visual appearance of the data structure or, conversely, to control messages and audio signals in a Pd patch. In Puckette's words:
Pd is designed to offer an extremely unstructured environment for describing data structures and their graphical appearance. The underlying idea is to allow the user to display any kind of data he or she wants to, associating it in any way with the display. To accomplish this Pd introduces a graphical data structure, somewhat like a data structure out of the C programming language, but with a facility for attaching shapes and colors to the data, so that the user can visualize and/or edit it. The data itself can be edited from scratch or can be imported from files, generated algorithmically, or derived from analyses of incoming sounds or other data streams.
— Miller Puckette, [4]
Score for Hans-Christoph Steiner's Solitude, created using Pd's data structures.
Language limitations[edit]
Though a powerful language, Pd has certain limitations in its implementation of object-oriented concepts.[5] For example, it is very difficult to create massively parallel processes because instantiating and manipulating large lists of objects (spawning, etc.) is impossible due to a lack of a constructor function. Further, Pd arrays and other entities are susceptible to namespace collisions because passing the patch instance ID is an extra step and is sometimes difficult to accomplish.
Projects using Pure Data[edit]
Pure Data has been used as the basis of a number of projects, as a prototyping language and a sound engine. The table interface called the Reactable[6] and the abandoned iPhone app RjDj both embed Pd as a sound engine.
Pd has been used for prototyping audio for video games by a number of audio designers. For example, EAPd is the internal version of Pd that is used at Electronic Arts (EA). It has also been embedded into EA Spore.[7]
Pd has also been used for networked performance, in the Networked Resources for Collaborative Improvisation (NRCI) Library.[8]
Code examples[edit]
- Pure Data visual code sample patches
- Patch 1: Hello world program in Pd.
- Patch 2: Reverberation in Pd.
- Media player 9 windows 10. Patch 3: Filters and data flow in Pd.
- The first patch prints 'hello world' to the display.
- The second patch applies reverberation to the incoming signal from channel 1, then emits it on channels 1 and 2.
- The last, more complex patch filters white noise at 9000 Hz (with a Q of 20), then fades it in and out each second over the course of a half second. In Pd, time is measured in milliseconds, thus the '1000' is one second and the '500' is a half second.
See also[edit]
Notes[edit]
- ^ ab'Update Release Scripts and Pd Version Number to 0.48-1'. GitHub Pd repo. Retrieved 6 October 2019.
- ^Puckette, M. (1988). The patcher. In Proceedings of International Computer Music Conference.
- ^'FAQ: Max 4 - Cycling '74'. Retrieved 5 January 2017.
- ^Pd Documentation Chapter 2 — 2.9. Data structures
- ^'Possibilities#2: Audio Layer'. 2 March 2010. Retrieved 5 January 2017.
- ^Jorda, Sergi; Kaltenbrunner, Martin; Geiger, Gunter; Bencina, Ross (2005). 'ICMC2005: The ReacTable'(PDF). Music Technology Group/IUA, Universitat Pompeu Fabra.
- ^Kosak, Dave (20 February 2008). 'Gamespy: The Beat Goes on: Dynamic Music in Spore'. GameSpy. IGN Entertainment, Inc.
- ^'Networked Resources for Collaborative Improvisation (NRCI)'. Center for Computer Research in Music and Acoustics. Department of Music, Stanford University.
References[edit]
- Danks, M. (1996). The graphics environment for max. In: Proceedings of the International Computer Music Conference, pp. 67–70. International Computer Music Association.
- Danks, M. (1997). Real-time image and video processing in Gem. In: Proceedings of the International Computer Music Conference, pp. 220–223. International Computer Music Association.
- Puckette, M. S. (1996) Pure Data. Proceedings, International Computer Music Conference. San Francisco: International Computer Music Association, pp. 269–272.
- Puckette, M. S. (1997). Pure data. In: Proceedings of the International Computer Music Conference, pp. 224–227. International Computer Music Association.
Pure Os Install
Further reading[edit]
- Puckette, Miller Smith (2007). The Theory and Technique of Electronic Music. World Scientific, Singapore. ISBN978-981-270-541-9.
- Kreidler, Johannes (2009). Loadbang: Programming Electronic Music in Pure Data. Wolke Verlag, Hofheim. ISBN978-3-936000-57-3.
- Pd~graz, ed. (2006). bang Pure Data. Wolke Verlag, Hofheim. ISBN978-3-936000-37-5.
- Farnell, Andy J (2010). Designing Sound. The MIT Press. ISBN978-0-262-01441-0.
- Brinkmann, Peter (2012). Making Musical Apps – Real-time audio synthesis on Android and iOS. O'Reilly Media. ISBN978-1-4493-1490-3.
- Barkl, Michael (2012). Composition: Pure Data as a Meta-Compositional Instrument. ISBN3-8383-1647-9.
- Barkl, Michael (2018). Pure Data as a Meta-Compositional Instrument: Compositions Volume 1. ISBN978-3-659-88634-8.
- Barkl, Michael (2018). Pure Data as a Meta-Compositional Instrument: Compositions Volume 2. ISBN978-3-659-96899-0.
- Matsumura, Sei (2012). Pd Recipe Book ―Pure Dataではじめるサウンドプログラミング. ISBN978-4-86100-780-4.
- Habibdoost, Mansoor (2013). Pd Elementary Method (in Farsi) - PDF and patches (مبانی بنیادین نرم افزار پی دی نوشته منصور حبیب دوست).
External links[edit]
- Official website
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Pure_Data&oldid=964374353'
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Automatonism is a modular synthesiser that runs in the open source programming language Pure Data. It features a large library of 81 modules (version 2.1). Follow these simple steps to get started:
- Install Pure Data Vanilla on your device.
- Download Automatonism_3.1.zip
- https://renewpapers253.weebly.com/hard-disk-sentinel-download-for-mac.html. Open the file 'main.pd'. Read the Quick Guide and Manual, which are integrated into the software.
- Start patching!
Modular synthesis is akin to musical gardening: modules can spring to life and their interconnections suggest the formation of a sonic ecosystem. The act of patching is no different to playing any other instrument: it affords the opportunity to express oneself and directly engage with other people.
It is towards that goal of performability and communication that Automatonism was created. It mimics the signal flow of a physical modular but features dynamic preset management and advanced parameter mapping tools on an open-source platform.
Most importantly, it will hopefully encourage people to delve into the making of generative algorithms via modular synthesis. If you want to support this project and the future development of the software, you are kindly directed to the Automatonism Bandcamp, or to book a live-performance/lecture/workshop.
Copyright © 2017, Johan Eriksson
Automatonism is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or any later version.
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
Automatonism 3.1 updates:
- Fixed an issue with the Random-Time-Manager
Automatonism 3.0 updates:
- Updated versions of KICK, SNARE, HIHAT, PRESET-MANAGER and PARAM-NUDGE.
- New function to send control messages to module parameters for easier integration with other PD patches
- 13 new modules: ALGOMATRIX, CHORD-SYNTH, PERCUSSION, RATCHET-SEQ, RANDOM-MIXER, COMPRESSOR, CHANNEL-EQ, VINTAGEVERB, STARLIGHT, AUDIOFREEZE, TREMOLO, TIME-MANAGER and RANDOM-TIME-MANAGER.
Automatonism 2.1 update: fixed a bug where the LP-FILTER was not loaded from the module list.
Automatonism 2.0 updates:
- 14 new modules:
PD-303, POLYFM, POLYSYNTH, SAMPLER, LOOPER, MEGAVERB, AUDIO-RECORDER, MULTITRACK-RECORDER, OVERDRIVE, PITCHSHIFTER, TRIGGER-TRAIN, MANUAL-TRIGGERS, EXTERNAL-AUDIO & GRAPHIC-EQ
- General improvements and bugfixes
Automatonism 1.1 updates:
- fixed a bug with the VCA and MAESTRO4 that produced a problem with shorter percussive envelope shapes
- Added an ORGANELLE-OUTPUT module
- Fixed a bug with the CLOCK cv input
- changed the quantizer to transform bi-polar input signals to uni-polar
Apple Mac Os X Download
- fixed a bug where the right outlet of MILLERVERB was out of phase.
- made a selector on the 1to4SWITCH & 4to1SWITCH to enable 2 step, or 3 step switching
Download Mac Os X Iso
- got rid of a few error messages in the pd console